No.197 | September 2009 | Table of Contents
Special Scheme: National Image
Information Space
5 Exhibition Information, Competiton Information, Industry News
Yun Li
8 Overseas Information
Yue Junyao
10 New Books
Yun Li
12 Book Review
Chen Anying
Special Scheme: National Image
15 Design for National Image
Hang Jian
17 Wu Lao and Exhibition Design of New China
Edited by Zhu Liang
20 Few Memory about Jianguoci——Interview of a participator, Jin Baosheng
Interviewer: Zhao Wenbing ＆ Zhao Hua Script by Zhao Wenbing
23 Design for Nationality——Interview of one designer of Ten Great Buildings, Chang Shana
Interviewer: Zhao Wenbing ＆ Zhao Hua Script by Zhao Wenbing
27 Casting National Image in Graphic Design——Interview of Chen Hanmin
Interview: Zhao Wenbing ＆ Zhao Hua Script by Zhao Hua
30 The Architectural Design Process of The Chairman Mao Memorial Hall
Edited by Zhu Liang
33 Organic Integration ＆ Benign Cycle——Prof. Zhang Qiman Talked about National Image and Environmental Art Design
Interviewer: Zhao Wenbing ＆ Zhao Hua Script by Zhao Hua
37 National Image Made for the World——Interview of Designers from The Academy of Arts ＆ Design of Tsinghua University Involved in the Beijing Olympic Games
Interviewer: Zhou Zhi, Tian Jun ＆ Li Yun Edited by Zhou Zhi
44 Develop Design Level and Upgrade National Image
Interviewer: Zhou Zhi ＆ Zhu Liang Edited by Zhou Zhi
China Creative Industry Park
48 The Fashion Road of 518——Shenzhen F518 Park
Interviewer: Zhu Liang ＆ Huang Dequan Writer: Huang Dequan
Overseas Trend
54 Anti-technological avant-garde design in the 19th and late 20th century: Arts and Crafts and Dutch Postmodernism Ⅱ
J.W. Drukker Marjolein van Velzen Translated by Teng Xiaobo
Exhibition in Paper
64 Work Selection from “The Exhibition of Qin Han and Roman Civilizations”
72 Observe the Apparel Difference of the Two Great Civilizations from “ The Exhibition of Qin Han and Roman Civilizations”
Zhao Yanglu
Scholars’ Inquiry
74 The Presentation of City Landscape
Zheng Shuyang ＆ Zheng Tianxin
Teaching Archive
80 The 3D Teaching Mode of “ Teaching, Production and Learning”——Example of the Course on Apparel Color
Chen Xu
82 On the Necessity of Setting a Course on Design Anatomy
Zhang Yi ＆ Qi Xu
84 Structural Design Sketch
Hu Wenguang
86 The World in a Box——A Brief Discussion of the New Application of Microcosmic Models in Landscape Teaching
Yang Yinbing
Design Theory
88 Re-understand the Basic Color Theory at the Conceptual Level
Wang Xinfu
90 30-Year Reading——A Review of the Book Design in the 30 Years since China’s Opening and Reform
Wang Jianbin, Wang Jia ＆ Wang Mogen
92 Clothes Industry in the Context of Financial Crisis——New Strategies of Clothing Brand
Lu Min ＆ Wang Jian
94 Reflection and Reconstruction of the Artistic Quality of Modern Design
Wang Zhan
Case Study
96 Book Design in the Age of Interactive Experience
Guo Sha ＆ Chen Xinhua
98 Film Language Applied in the Architectural Animation: Research and Prospect
Wu Zhanwei
100 The Client-based Interactive Interface Design of Light Rail Transit in Hamburg, Germany
Liu Qing ＆ Xue Chengqi ( Germany ) Falk Hoehn
102 The Function of Research on Measuring Eye Movement in the Value Evaluation of Packaging Design
Zhao Weijun
Design Practice
104 The Architectural Design of the New Village in the North-West of Guangxi Blending with Ganlan-style Residential Architecture Art
Luo Qilian
106 The Collage of Landscape
Cai Sha
Folk Customs and Art
108 The Intellectual Property Protection of Folk Fine Art——Example of Wood Carved Mask of Zhouguantun Village
Niu Jiaming
110 Feature Analysis of Shanxi Stone Lion Head Decoration for Kang
Zhu Jinhui
112 Custom of Praying for the Auspicious and Happy, Symbol of Life Aesthetics——The Beam Culture of Civil Residence of Tujia Nationality
Xiang Yungen
114 The Evolution of Spirit and Form——The Cultural Background of Liangping New Yea Woodcut in Chongqing
Huang Zoulin ＆ Ouyang Fangyi
117 The Development of Lacquer Line Carving in Xiamen
Xu Guangpei
120 The Traditional Gold Earring Art of the Uigur nationality
Rena Maimaiiti
Space of History and Theory
122 The Three Prime Periods in the History of French Tapestry Art
Zhu Chongshou
Characteristic of Colleges
125 Thoughts over the Reform of Teaching Art Design
Ling Shiyi
127 Looking at the Understanding of Happiness of Eastern Han People from Nanyang Stone Image
Yang Gang
130 Cartoons of Drama Creatively Changing Traditional Drama Art
Gao Lin
132 On the Primitive Packaging Design Returning to the Nature
Hu Yanzhen
135 Poster——Graphic Demonstration of Human Technology Development
Hao Mijia
137 The “ Individual-Centered” Modernist Design
Nan Zheng
140 The Charm of Bionic Design of Traditional Lamps and Lanterns
Wang Dakai
142 Choosing of Sound——The Integration of Picture and Music in Animated Cartoon
Wang Qiulan
